4 One of One Paintings Supporting Metal for Nepal

Four original paintings. Four chances to own something that will never be reproduced. One shared purpose: to support the work being done by Metal for Nepal after the recent tragedy.

You can view the paintings and check availability here: see the Emergency Appeal for Nepal collection.

This release brings together art, music and community in a direct way. The project features four completely original, one-of-one paintings, created especially for this appeal. Two pieces are by Anastasios Danazoglou, one is by Hannah Pixie Snow, and one is by Dourakos.

Each painting is priced at €550, with shipping included. From every sale, 50% will be donated directly to Metal for Nepal.

These are not prints. They are not editions. They are not reproductions. Each work exists once, and once it has sold, that piece is gone.

A small release with a clear purpose

Limited art releases often focus on scarcity. This one has scarcity, but that is not the main point.

The heart of the project is simple. A group of artists connected to a wider music and creative community have made original work, and part of each sale will go straight to a cause that needs support now. The buyer receives a unique artwork. Metal for Nepal receives direct help. The release stays small, clear and honest.

There are only four paintings available:

• Two original works by Anastasios Danazoglou

• One original work by Hannah Pixie Snow

• One original work by Dourakos

  
  

Each painting has been made specifically for this project. That matters, because the work is not pulled from an existing stock of prints or merchandise. It has been created with the appeal in mind.

The price is also straightforward. Each artwork costs €550, and that includes shipping. There is no separate shipping charge added afterwards. Half of the sale price goes to Metal for Nepal, meaning each purchase contributes directly to the support effort connected to the recent tragedy.

This keeps the project easy to understand. The number of works is known. The artists are named. The price is fixed. The donation share is clear.

What makes a one-of-one painting different

A one-of-one artwork carries a different kind of presence from a print.

A print can still be meaningful. Editions, posters and reproductions all have their place. They let more people access an image and can make art more affordable. But an original painting is a physical object shaped by one set of hands, in one moment, for one surface. The brush marks, textures, layers and small decisions all sit inside that single piece.

There is no second copy sitting in storage. There is no numbered run. There is no open edition waiting to be restocked.

That is why the phrase one-of-one matters here. It means the work exists only once. Whoever buys it becomes the only person who owns that specific piece.

For collectors, that gives the release a special weight. For people who support the artists, it creates a rare chance to own something closer to the source of the work. For anyone moved by the cause, it turns a purchase into direct support while still bringing something lasting into their home.

Original paintings also change with their setting. A piece that looks one way in a studio can feel different in a living room, music space, hallway or rehearsal room. The surface catches light. The scale becomes personal. The marks become part of the space around them.

That is the difference between owning an image and living with an object.

The artists involved in the release

The four works come from three artists: Anastasios Danazoglou, Hannah Pixie Snow and Dourakos. Each brings their own hand, history and visual language to the project.

Anastasios Danazoglou has created two original pieces

Anastasios Danazoglou has contributed two one-of-one works to the release. With two pieces included, his contribution forms half of the full collection.

That gives buyers two separate chances to own an original work by him, while still keeping the release extremely limited. Each piece stands alone. Each is part of the same appeal. Each will only be available once.

There is something powerful about an artist making more than one work for a cause like this. It suggests commitment, not just participation. It also gives the release a small internal rhythm: two pieces from one artist, then one each from two more voices.

Hannah Pixie Snow has created one original piece

Hannah Pixie Snow contributes one original painting to the project. With only one piece available by her in this release, it carries its own kind of singularity.

For anyone drawn to her work, this is the only original Hannah Pixie Snow painting in the appeal. Once it sells, there will not be a second version from this project.

That is part of what makes the full four-piece collection feel so immediate. It is not a catalogue with pages of options. It is a focused release. Each work has to be considered on its own terms.

Dourakos has created one original piece

Dourakos has also created one original painting for the appeal. Like the Hannah Pixie Snow piece, it exists as a single work within the collection.

The presence of three artists gives the project range without making it feel scattered. It remains small enough to understand at a glance, but varied enough for each painting to have its own identity.

Together, the four works form a compact fundraising release built around individual expression. No two buyers will receive the same thing. No painting repeats another.

How the donation works

Every painting is priced at €550 including shipping. From each sale, 50% is donated directly to Metal for Nepal.

That means the purchase is split between owning an original artwork and supporting the ongoing work connected to the appeal. The format is deliberately simple, and that simplicity is one of the strengths of the project.

For many people, donations and purchases sit in different parts of life. A donation is something given to help. An artwork is something bought to keep. This project joins those two ideas without blurring them.

The support is real. The artwork is real. The limit is real.

That directness matters when a community is responding to tragedy. People often want to help but are unsure where to start. A release like this gives a concrete route. It does not ask people to decode a complicated campaign. It says what is available, what it costs, and where part of the money goes.

Why art and music communities respond this way

Music communities often move quickly when help is needed. That is especially true in underground, independent and heavy music scenes, where relationships are built through gigs, records, artwork, distros, labels and shared spaces.

Art has always been close to that world. Album covers, posters, stage visuals, shirt designs and handmade objects all help shape how a scene feels. The visual side of music is not decoration. It carries memory. It gives people something to hold onto after a show ends or a record stops playing.

This release sits inside that same spirit. It uses visual art to support a music-linked humanitarian effort. It connects people through something physical, personal and lasting.

A painting can sit on a wall for years. It can remind someone of the reason it was bought. It can carry both the artist’s work and the story behind the project. That gives it a different role from a simple transaction.

There is also something fitting about keeping the release small. Four paintings do not try to solve everything. They do not pretend to be bigger than they are. They offer a practical contribution, rooted in the skills and generosity of the artists involved.

That is often how community support works best. People use what they have. Artists make art. Listeners and collectors show up. Stores and platforms help make the release possible. The result may be modest in scale, but it is still useful.

What buyers are really taking home

Anyone who buys one of these paintings is taking home more than an image.

They are taking home an original object made by an artist for this specific purpose. They are becoming the only owner of that piece. They are also helping send funds to Metal for Nepal at a time when support is needed.

The value sits in several places at once:

• The artwork itself, as an original piece

• The connection to the artist who made it

• The limited nature of the release

• The knowledge that 50% of the sale supports Metal for Nepal

• The role of the piece as part of a wider community response

  
  

That combination is what makes this project distinct. It is not a standard shop drop. It is not a mass-produced fundraiser item. It is a focused release of four original paintings, priced clearly and made available with a clear donation attached.

For collectors, this may be the only opportunity to acquire one of these specific works. For supporters, it is a way to contribute while receiving something meaningful in return. For the artists and organisers, it is a way to turn creativity into practical help.

The release is limited by design

Scarcity can be overused in online releases, but in this case the limit is not a tactic. It comes from the nature of the work.

There are four paintings because four original paintings have been made. They cannot be restocked in the same form. Even if an artist later paints something related, it will not be this exact piece. The surface, marks, timing and intention will be different.

That is why the phrase “once they’re gone, they’re gone” is accurate here. It is not pressure for its own sake. It is simply the truth of original work.

This also means the decision belongs to the person looking at the piece. If one painting speaks to someone, waiting may mean missing it. With a release this small, there is no large pool of replacements.

At the same time, the project does not need everyone to buy. It only needs four people to connect strongly enough with the art and the cause to take part in that way. Others can still share the appeal, talk about the release, and help the information reach the right people.

How to view the available paintings

The four original works are available through the Electric Sun Store collection created for the emergency appeal.

Each painting is priced at €550 with shipping included, and 50% of each sale will be donated directly to Metal for Nepal.

You can view the paintings and check availability here: see the Emergency Appeal for Nepal collection.

This is a small release with a clear aim. Four artists’ works, four individual pieces, and a direct contribution from every sale. If one of the paintings belongs with you, this is the moment to act. Once a piece has sold, it will not exist again in another form.